Painting on glass, you must see it

Myth #1 - "Paint your trace lines first"

This looks obvious, and it's what all the books tell you to try to to.

But, after you paint a space, what is the very first thing you are doing once you have clean all the surfaces?

You paint associate undercoat!

It's simply a similar with glass. after you initial paint associate undercoat over the total surface of the glass, your tracing lines can have a fine looking surface to stay to. It's wonderful what proportion easier it's to color a neat tracing line once you are now not painting on clean glass however associate on unfired undercoat instead.

Take care to color the undercoat as gently and equally as doable so to let it dry. Then begin to color the opposite details.

Using associate undercoat is sense after you place confidence in it, and it works sort of a dream.

Myth #2 - "Paint and fireplace your trace lines before you paint your shadows and matting"

Well, this can be such a lot an area of received knowledge that we tend to feel a small amount like uranologist after we tell you that it's simply not true.

Of course, if you actually wish to, you'll actually paint and fireplace your trace lines initial, however the purpose is you do not have to be compelled to.

In fact, you'll paint several shadows before you paint your trace lines: your glass painting can become terribly delicate and suggestive after you try this.

Here's what you are doing.

Start by painting a lightweight, even undercoat over the total surface of the glass and let it dry.

Now paint some lightweight, dry trace lines wherever you would like some shadows to be, and allow them to dry.

Then reinforce these lines with second coats and allow them to dry.

The final step is to color a lightweight wash over the total surface of the unfired glass, and, whereas this paint continues to be wet, use your liquidiser to melt the trace lines and switch them into light shadows.

Once the paint is dry, you'll then trace any details. The impact is gorgeous: light blurs and shadows that soften the boldness of your trace lines.

Myth #3 - "You should fireplace a layer of paint before you paint on high of it - otherwise the paint can blister within the kiln"

There ar many causes of blistering, however painting on high of unfired paint isn't one among them: we regularly paint six layers of paint, then fireplace our glass just the once. that is right: we tend to layer up our paint and fireplace our glass just the once. The paint ne'er blisters. therefore what causes blistering? There ar four main causes.

A. an excessive amount of gum in your paint: the answer is to dilute your paint in order that it contains a smaller proportion of gum.

B. Not waiting till a previous layer fully|is totally} dry: the answer is to permit earlier layers continuously to dry completely before you paint on high of them.

C. Correcting a line or shadow before it dries: the answer is to permit a stroke to dry fully before correcting it.

D. associate incorrect firing schedule: take into account speed the speed of increase, lowering the highest temperature and/or decreasing the quantity of your time that you simply hold the highest temperature.

Follow these suggestions and you may be ready to paint on high of unfired paint the maximum amount as you want. The impact are often astonishing - and your paint will not blister!

Myth #4 - "You cannot paint on either side of the glass and fireplace the glass simply once"

When you paint on either side of a bit of glass, you produce a wizard sense of depth.

For example, you'll take a blue piece of glass and paint waves on high and fish below (as if you were peering through the waves to visualize the fish below).

The advantage of doing this in a very single firing is that you simply will modify either side before fixing them for good within the oven.

Most people do not even take into account painting on either side of the glass. And, of these WHO do, most of them believe all sides should be discharged one by one, however this can be simply not true.

At our studio, we tend to place our glass on a bed of plaster of Paris: the warmth from the oven is quite enough to fireplace paint on either side quickly, and also the undersurface ne'er sticks.

Try this technique for yourself and see what we tend to mean!

Myth #5 - "You cannot combine oil and water"

Again, this looks therefore taken for granted that nobody ever queries it or maybe considers the way to cash in of it.

But we did, and here's the technique we've pioneered.

First of all we tend to use some water-based paint to shade and trace as was common.

Then, before firing, we tend to use some oil-based paint and add a lot of details. It's wonderful, however the oil-based paint does not disturb the unfired water-based paint below.

Then we tend to fireplace the glass just the once. during this approach we are able to add as several as six layers of paint all on high of 1 another and end our enclose one firing.